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U of T summer course in narrative nonfiction. . .

U of T summer course in narrative nonfiction. . .


First, the good news. We're almost two months from starting (July 7) and my narrative nonfiction course (aka creative nonfiction) is more than half full. That is also the bad news, if you're still weighing options. BUT: more good news! For the first time ever, I believe, U of T is offering a $50 discount for early-bird registration. Maybe that is why things are moving early? Anyway, you can click here for

Course Detail. Yes, I ask for brief submissions (up to 1,500 words) so we can hit the ground running. To the right, that's the official "me." Below, a nutshell description. Hey, we have a good time. Hope to see you in July? . . .

Some of the most exciting writing today is found in Narrative Non-Fiction, an emerging genre in which writers apply narrative strategies and techniques to factual material. This course will orient writers within the genre, which includes both personal streams (memoir, autobiography, travelogue) and impersonal ones (true-crime writing, biography, immersion reporting). It will include lectures, discussions, craft exercises and workshopping student writing.
Early Bird fee $649 until June 7, $699 thereafter.  Please register first before submitting material.  Please submit a story--maximum 1,500 words, double-spaced by June 7: scs.writing@utoronto.ca  Please note that all students will be emailed each other's work before the start of the course.
Required Textbook: The Art of Fact: A Historical Anthology of Literary Journalism by Kevin Kerrane and Ben Yagoda, ISBN-13: 978-0684846309--available at the U of T Bookstore
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Ken McGoogan
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Shout Out to Allyson Latta, Editor of Renown

Shout Out to Allyson Latta, Editor of Renown


No, this is not a photo of Allyson Latta. You can find one or two images of her if you start clicking here. This is a picture of Our Hero scratching away on a standing stone he discovered atop Cruach Mhic Gougain in southern Kintyre. Yes, you'll hear Gaelic speakers insist that "cruach" translates as "big hill." But I believe "mount" to be more appropriate. I mean, "Mount McGoogan" is clearly better than "McGoogan Hill," right? Any editor will get that. But I shout out to Allyson Latta, a book editor and writing instructor of renown and track record, because she maintains such a fun-and-instructive website and blog. OK, I especially like that, with a nudge, apparently, from novelist Michelle Berry, Allyson invited me to share a few thoughts and images in a series she calls Will Come the Words. You can see the result by clicking here. The above photo, by Sheena Fraser McGoogan, made my short list for submission. But that would have made five images. And I'm guessing, Dear Reader, that even YOUR indulgence extends only so far.
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Ken McGoogan
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Has anyone seen where Canada went?

Has anyone seen where Canada went?




Am I the only one who wonders where Canada went?
A glance at the Books section in today’s Toronto Star prompts the question.
Here we find 12 reviews: five long (maybe 600 words), two short (maybe 300), and five micro (say 35). And not one of the 12 treats anything related to Canada.
Let’s not count the micros, which focus on science-based books. Fair enough.
But the “longs” treat works set in Wisconsin, San Francisco, New York, Paris, and California. The “shorts” look to Washington and New Hampshire. And of the seven authors, only one is Canadian.
What are we to conclude? Maybe most Canadian writers aren’t producing anything worth reading? Or maybe Canada is really, really boring: not worth writing about?
Hey, wait a minute. Haven’t we seen this movie before? 
Somehow, we’ve gone back to the future, only it looks like 1968.

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Ken McGoogan
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Creative Writing Turns 50 At University of British Columbia

Creative Writing Turns 50 At University of British Columbia


Gotta love this caricature by Chloe Cushman, one of several that turns up in Saturday's National Post. The article, put together by Mark Medley, celebrates the 50th anniversary of the Creative Writing Program at University of British Columbia. Contributors include Andreas Schroeder, Leo McKay, Nancy Lee, Charlotte Gill, Madeleine Thien, and Andrew Westoll, among others. Our Hero's offering goes like this . . . .
Forty years ago, when I flew west to write a novel while earning an MFA, I brought a portable typewriter and two dozen books. Having graduated top of my journalism class at Ryerson and worked as a reporter at the Toronto Star, I was stunned when, at my first novel-writing workshop, instead of hailing my genius, the other grad students kicked me to the curb with faint praise. I spent the next two years discovering how little I knew about storytelling. Cortazar, Marquez, Butor, Lessing, Achebe, Calvino. Where had these magicians been hiding? My mentor was novelist Robert Harlow, who had recently published Scann. After flying as a bomber pilot in the Second World War, Harlow had become the first Canadian to attend the Iowa Writers’ Workshop. Back home in B.C., he had helped run CBC Radio before moving to UBC at the invitation of Earle Birney. Both men battled to keep the creative writing department separate from the English department. With Harlow looking over my shoulder, I completed a novel that served as my thesis. Years later, after rewrites, it emerged via Pottersfield Press as my second book, Visions of Kerouac: A Novel. The rest, as Harlow used to say, is persiflage.

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Ken McGoogan
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John Diefenbaker becomes Kildonan's Kennedy

John Diefenbaker becomes Kildonan's Kennedy


In the north of Scotland, they're calling him Kildonan's Kennedy. They're referring to John Diefenbaker, Canadian prime minister from 1957 to 1963. And, yes, they do mean John F. Kennedy, the most charismatic of American presidents, and one who was famously attached to his Irish roots. Not only that, but in the Timespan Museum in Helmsdale, a town 68 miles north of Inverness, they have just launched a months-long Diefenbaker's North project, celebrating the story of Diefenbaker and his Bannerman ancestors.
If you've perused How the Scots Invented Canada, you will understand, but bear with me.  Above, you see Our Hero outside Rogart, which is in the same county as
Helmsdale: Sutherland. I am sitting by a cairn built out of stones from the croft of the grandfather of John A. Macdonald, Canada's first prime minister. Trust me, it is not an easy place to reach. But you see the plaque on that cairn? In 1968, Diefenbaker visited Rogart and unveiled it at a well-attended ceremony. He unveiled a second plaque, not far away, to his own Scottish ancestors, the Bannermans. His mother's people, they were among those who, driven out of Sutherland during the Highland Clearances, left the parish of Kildonan in 1813 and sailed to Canada. They were "Selkirk Settlers" who, after spending one bitter winter on the shores of Hudson Bay, trekked 1,000 miles south to establish Red River Settlement, which gave rise to Winnipeg. Yes, "Dief" was proud of his Scottish roots. Earlier today, while giving a talk in Markham, north of Toronto, I said a few words about that and showed the two images posted here. When I arrived home, I found a letter from Jim McGugan, a second cousin of mine who lives in Letham, Scotland. He enclosed a clipping from the Glasgow Herald of Feb. 19. . . . all about the Helmsdale project that launched last week. Gotta love even a modest synchronicity.

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Ken McGoogan
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Say Goodbye to John Steinbeck

Say Goodbye to John Steinbeck


 
 
FREEDOM TO READ WEEK: (Feb. 23 to March 1)

Say Goodbye to John Steinbeck?
Back in the day, when I was writing songs and fronting a band (Ken McGoogan & the Immoral Minority), an elected government official began lobbying to ban Of Mice and Men from schools. He stood up in the legislature and brandished a petition. Having grown up reading Steinbeck --  along with Hemingway, London, Wolfe, and Fitzgerald, thanks to my father -- I did not take kindly to this. In fact, it brought out the Satirical Ken in me. But you'll see what I mean if you give a listen to Say Goodbye to John Steinbeck. . . .
http://www.youtube.com/watch?v=aeuGZkSNPPQ . . .
I read a book last Friday for the first time in seventeen years. . . .
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Ken McGoogan
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Celebrating John Rae at Wilderness Symposium

Celebrating John Rae at Wilderness Symposium


No, this is not an image taken at the symposium. But I couldn't resist: I had to show them this slide. Here we have Jenna Andersen doing the only handstand that has ever been done at the site where John Rae discovered the final link in the Northwest Passage. A bunch of us got to this hard-to-reach Arctic location in 2012 with Adventure Canada. I had been there before, in 1998, when three of us put that plaque there: me, Inuk explorer Louie Kamookak, and antiquarian Cameron Treleaven. On this return visit, Sheena Fraser McGoogan captured the handstand for posterity. To the right of the plaque, you can see the remains of the cairn that Rae built in 1854.  Of course, I wrote about this in Fatal Passage.  But earlier today, I outlined the Rae saga here in Toronto at the 29th annual Wilderness and Canoe Symposium -- to an enthusiastic audience of 500, no lie. I had met the woman who introduced at the airport in Kugluktuk. She had just paddled down the Coppermine River -- while reading Lady Franklin's Revenge, I might add -- along the route pioneered by Samuel Hearne. Anyway, hats off to the organizers of that symposium. Thanks to folks like you, we may yet get Rae recognized at Westminster Abbey.


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Ken McGoogan
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Before turning mainly to books about arctic exploration and Canadian history, Ken McGoogan worked for two decades as a journalist at major dailies in Toronto, Calgary, and Montreal. He teaches creative nonfiction writing through the University of Toronto and in the MFA program at King’s College in Halifax. Ken served as chair of the Public Lending Right Commission, has written recently for Canada’s History, Canadian Geographic, and Maclean’s, and sails with Adventure Canada as a resource historian. Based in Toronto, he has given talks and presentations across Canada, from Dawson City to Dartmouth, and in places as different as Edinburgh, Melbourne, and Hobart.